Historia Social De La Literatura Y El Arte Ii Desde El Rococo Hasta La Epoca Del Cine Ensayo Arte Book PDF, EPUB Download & Read Online Free


Historia social de la literatura y el arte II

Historia social de la literatura y el arte II
Author: Arnold Hauser
Publisher: Debolsillo
ISBN: 8497932218
Pages: 544
Year: 2004
View: 426
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Bibliografía española

Bibliografía española
Author:
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ISBN:
Pages:
Year: 2004
View: 569
Read: 1127

Bibliografía hispánica

Bibliografía hispánica
Author:
Publisher:
ISBN:
Pages:
Year: 1957
View: 892
Read: 484

Las historias literarias de los escritores de la Generación del 27

Las historias literarias de los escritores de la Generación del 27
Author: Antonio Martín Ezpeleta
Publisher:
ISBN:
Pages: 511
Year: 2008
View: 1045
Read: 711

Este libro ofrece al lector un panorama general de la Historiografía literaria española de la primera mitad del siglo XX, así como el análisis sistemático de las Historias literarias de Ángel Valbuena Prat, Ernesto Giménez Caballero, Juan Chabás y Max Aub. La dimensión socio-política y literaria de sus autores, todos ellos escritores de diferente fortuna además de críticos, y la repercusión de algunos de sus estudios favorece la semblanza equilibrada de este momento fundamental de la Historia de la crítica literaria española. Cuestiones como el desarrollo de las instituciones, los planes educativos o los diversos asuntos teóricos y metodológicos que convergen en la redacción de las Historias literarias forman parte de esta enriquecedora y pujante disciplina de la Historiografía literaria donde se enmarca el presente trabajo.

El Libro español

El Libro español
Author:
Publisher:
ISBN:
Pages:
Year: 1968
View: 599
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Literature and Revolution [First Edition]

Literature and Revolution [First Edition]
Author: Leon Trotsky
Publisher: Pickle Partners Publishing
ISBN: 1787209733
Pages: 187
Year: 2018-02-27
View: 975
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Literature and Revolution, written by the founder and commander of the Red Army, Leon Trotsky, in 1924 and first published in 1925, represents a compilation of essays that Trotsky drafted during the summers of 1922 and 1923. This book is a classic work of literary criticism from the Marxist standpoint. By discussing the various literary trends that were around in Russia between the revolutions of 1905 and 1917, Trotsky analyses the concrete forces in society, both progressive as well as reactionary, that helped shape the consciousness of writers at the time. In the book, Trotsky also explains that since the dawn of civilisation art had always borne the stamp of the ruling class and was primarily a vehicle that expressed its tastes and its sensibilities. “It is difficult to predict the extent of self-government which the man of the future may reach or the heights to which he may carry his technique. Social construction and psycho-physical self-education will become two aspects of one and the same process. All the arts—literature, drama, painting, music and architecture will lend this process beautiful form. More correctly, the shell in which the cultural construction and self-education of Communist man will be enclosed, will develop all the vital elements of contemporary art to the highest point. Man will become immeasurably stronger, wiser and subtler; his body will become more harmonized, his movements more rhythmic, his voice more musical. The forms of life will become dynamically dramatic. The average human type will rise to the heights of an Aristotle, a Goethe, or a Marx. And above this ridge new peaks will rise.”—Leon Trotsky

Cromos

Cromos
Author:
Publisher:
ISBN:
Pages:
Year: 1967
View: 917
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Boletín de la Biblioteca del Congreso de la Nación

Boletín de la Biblioteca del Congreso de la Nación
Author:
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ISBN:
Pages:
Year: 1988
View: 814
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The Idea of Decline in Western History

The Idea of Decline in Western History
Author: Arthur Herman
Publisher: Simon and Schuster
ISBN: 1451603134
Pages: 528
Year: 2010-06-15
View: 937
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Historian Arthur Herman traces the roots of declinism and shows how major thinkers, past and present, have contributed to its development as a coherent ideology of cultural pessimism. From Nazism to the Sixties counterculture, from Britain's Fabian socialists to America's multiculturalists, and from Dracula and Freud to Robert Bly and Madonna, this work examines the idea of decline in Western history and sets out to explain how the conviction of civilization's inevitable end has become a fixed part of the modern Western imagination. Through a series of biographical portraits spanning the 19th and 20th centuries, the author traces the roots of declinism and aims to show how major thinkers of the past and present, including Nietzsche, DuBois, Sartre, and Foucault, have contributed to its development as a coherent ideology of cultural pessimism.

Historia del teatro moderno: Los inicios de la nueva objetividad

Historia del teatro moderno: Los inicios de la nueva objetividad
Author: Ricard Salvat
Publisher:
ISBN: 8429717099
Pages: 305
Year: 1981
View: 895
Read: 1134

Blood Cinema

Blood Cinema
Author: Marsha Kinder
Publisher: Univ of California Press
ISBN: 0520081579
Pages: 553
Year: 1993-12-06
View: 750
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"This is the most complete, in-depth, sophisticated study of Spanish cinema available in any language."—Marvin D'Lugo, author of The Films of Carlos Saura

The Art of Renaissance Venice

The Art of Renaissance Venice
Author: Norbert Huse, Wolfgang Wolters
Publisher: University of Chicago Press
ISBN: 0226361098
Pages: 382
Year: 1993-10-30
View: 306
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In the first contemporary single-volume survey of the three arts of Venice—painting, sculpture, and architecture—Norbert Huse and Wolfgang Wolters offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian art. They begin their study in 1460, when Venice was one of the key powers of Italy, and end with the death of Tintoretto in 1594, a period of waning international power. In the process, they define the distinctly Venetian terms by which the city and its culture should be understood. With over three hundred illustrations and an exhaustive bibliography, this volume makes an impressive contribution to art historical scholarship. "The historical aspect of this book is splendid, but where it excels is in its fearless and thought-provoking critical judgements. . . . it will lead both beginners and experts to new joys."—David Ekserdjian, Times Literary Supplement

Opera Aperta

Opera Aperta
Author: Umberto Eco
Publisher: Harvard University Press
ISBN: 0674639766
Pages: 285
Year: 1989
View: 758
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Essays discuss poetry, communication, television, form, aesthetics, bad taste, and art

Cinema and Painting

Cinema and Painting
Author: Angela Dalle Vacche
Publisher: University of Texas Press
ISBN: 0292715838
Pages: 303
Year: 1996
View: 987
Read: 939

The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.

Significance 2.0

Significance 2.0
Author: Roslyn Russell, Kylie Winkworth
Publisher:
ISBN: 0977544362
Pages: 71
Year: 2009
View: 892
Read: 322

"The way Australians think and live is captured in our collections. These collections reflect Australians’ lives in myriad areas at different times in our development—they provide insights into our unique national spirit and values, and contribute to our ability to solve new problems in distinctively Australian ways. Just as Australians are spread across a vast land, so our collections are distributed across the nation. Understandably, many different ways have been created to identify and care for our collections, in response to their type, location, or available resources. Whether located in the country or the city, significant collections occur throughout Australia—often in surprising places. 'Significance 2.0: a guide to assessing the significance of collections' builds on the solid foundation laid by the first edition of Significance (2001) in defining an adaptable method for determining significance across all collections in Australia. Those who have been guided by this ‘significance method’ since 2001 report that this has translated into better decision-making about their collections in areas like preservation, physical and digital access, and funding support." - foreword.

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